Animation conference at Penn

ENCHANTED DRAWING II: 
ANIMATION ACROSS THE DISCIPLINES

Sept. 21-22, 2012
University of Pennsylvania

a collaborative conference organized by KAREN BECKMAN (University of Pennsylvania), and ERNA FIORENTINI (Humboldt Universität), and OLIVER GAYCKEN (University of Maryland). 

Following up on the dynamic conversation that began in Berlin in March 2012 at ENCHANTED DRAWING I, this conference continues to explore a series of intersecting concerns that emerge through an engagement with animation history. The conference will feature the work of scholars and practitioners from a variety of fields, including cinema and media studies, the history of science, art history, animation design in the fields of science, gaming, engineering, medicine, and journalism.

FRIDAY, SEPTEMBER 21, 2012
@ INSTITUTE OF CONTEMPORARY ART, University of Pennsylvania
Followed by screenings @ INTERNATIONAL HOUSE PHILADELPHIA

2:30-3:30 PM | Attendees are encouraged to visit ICA and see their new exhibition Jeremy Deller: Joy in People

3:30–5:30 PM | Keynote address by Vivian Sobchack, "Stop + Motion: On Animation, Inertia, and Innervation"

 5:30–6:30 PM | Reception at Institute of Contemporary Art 7:00 PM | Screening of animation at International House Philadelphia

SATURDAY, SEPTEMBER 22, 2012
 @ INSTITUTE OF CONTEMPORARY ART, University of Pennsylvania

8:15–9:15 AM | BREAKFAST

9:15–9:30 AM | OPENING REMARKS by Erna Fiorentini

 9:30-11:00 AM | PANEL ONE DIGITAL AND DATA DRIVEN ANIMATION | Moderator: Orkan Telhan (Penn, Fine Arts) • Norman Badler, "Digital Animation From a Technical Perspective" • Oliver Gaycken, "With Particle Swarms and Bad Hair: Animating Material Digitally" • Peggy Weil, "Immersive Journalism, Immersive Data"

11:00AM-12:30PM | PANEL TWO HISTORY OF SCIENCE | Moderator: Karen Beckman (Penn, History of Art and Cinema Studies) • Jimena Canales, "Animating Einstein: 'The final days of my Zurich stay resemble a runaway motion picture projector'" • Scott Curtis, "Rough and Smooth: Toward a Rhetoric of Animated Scientific Images" • Hanna Rose Shell, "The Animation of Evanescence: Camouflage in Motion"

 12:30–2:00 PM | LUNCH

 2:00–3:30 PM | PANEL THREE TRANSMEDIALITY | Moderator: Peter Decherney (Penn, English and Cinema Studies) • Alexander R. Galloway, "Polygraphic Photography and the Origins of 3D Animation" • Bob Rehak, "Graphic Engines: Videogame Animation as Transmedia Bridge" • Melissa Ragona, "Algorithmic Aesthetics vs. Punk De'collage: From Animation to Live Performance" 3.30–

4:00 PM | COFFEE BREAK

 4:00-5:30 PM | PANEL FOUR BODY | Moderator: Beth Linker (Penn, History and Sociology of Science) • Kirsten Ostherr, "From Health Films to Healthy Games: Interventionist Animation" • Donald Crafton, "Inside and Outside the Toon Body: Challenging Somatic Integrity through Animation History"

5:30–6:00 PM | ROUNDTABLE DISCUSSION with Erna Fiorentini + speakers to conclude the day; CLOSING COMMENTS Registration is free and open to the public.

March 2011: Fabienne Darling-Wolf

This Friday is the next talk in the PCMS series.

"When Candy met Asterix: Japanese animation’s voyage to France and the shaping of global culture"

Fabienne Darling-Wolf (Temple University)

Respondent: William Gardner (Swarthmore College)

Temple University Center City campus (TUCC)
Room 420
(bring ID to show front desk)
Friday, March 18, 5:30 pm





Abstract:
Based on a translocal comparative analysis informed by qualitative interviews with Japanese and French media consumers, this paper considers what the long history of Japanese animation and manga’s presence in France can tell us about the nature of contemporary globalized cultural forms and their local negotiation, particularly when considering the wide variety of cultural environments these texts—often originally based on European or American literary works—propose to represent (including France’s “native” culture). Pointing to significant differences in the nature of the genres’ influence in the French and American contexts, it concludes with a discussion of the dangers of assuming that the United States can be taken as representative of an essentialized “West,” often opposed, in turn, to an equally essentialized and exoticized “non-Western Other.”

Bios:

Dr. Fabienne Darling-Wolf is Associate Professor of Journalism in the School of the Journalism and Theater at Temple University in Philadelphia. She also teaches and supervises graduate students in the school’s Mass Media and Communication Doctoral Program.

Dr. Darling-Wolf’s research focuses on processes of mediated cultural influence and negotiation in a global context, paying particular attention to how such processes intersect with gendered, racial and ethnic identity formation. Her work has been published in Communication Theory, Critical Studies in Media Communication, Journalism and Communication Monographs, New Media and Society, Popular Music and Society, Feminist Media Studies, Popular Communication, Journalism, Journalism Studies, Communication Review, Asian Journal of Women’s Studies, Visual Communication Quarterly and Journal of Communication Inquiry.

William Gardner is an associate professor of Japanese at Swarthmore College. He is author of Advertising Tower: Japanese Modernism and Modernity in the 1920s (Harvard University Asia Center, 2006) and “Literature as Life-form: Media and Modernism in the Literary Theory of Okuma Nobuyuki,” Monumenta Nipponica (2008). His current research is on science fiction and on media and virtuality in contemporary fiction.