Tuesday, September 27, 2011

Raymond Bellour and Christa Blümlinger

This Thursday, September 29, 2011, from 6:30-8:00 pm, at the Slought Foundation:

"Film as object of study and as archive"
Raymond Bellour, Christa Blümlinger

Raymond Bellour will speak for 30 minutes on "Forty years of stopping moving images, "followed by Blümlinger on "Archival Gestures," with a moderated conversation to follow.

This program has been organized by Nora Alter, Professor of Film and Media Arts at Temple University, with generous support of the Department of Film and Media Arts at Temple University; the Program in Film Studies at Bryn Mawr College; French Studies in the Department of Romance Languages at the University of Pennsylvania; and the Society of Friends of the Slought Foundation.

Fuller biographies and descriptions available at the Slought website.

Wednesday, September 7, 2011

P Adams Sitney talk at Tyler

As part of the ongoing Critical Dialogues Series at Tyler School of Art (Temple main campus), P. Adams Sitney will be appearing in person for a lecture and critical conversation. The lecture will take place Wednesday evening, September 14, in the Tyler School of Art auditorium (13th and Norris St), room B004, and will begin promptly at 6:00PM .

Talk title:
"Cinema as Rhythm"

P. Adams Sitney is a preeminent film theorist and historian of European and American avant-garde film. Known for his early intellectual and critical support of the New American Cinema movement, he wrote Visionary Film (Oxford University Press, 1974), widely regarded as the first major history of postwar American avant-garde filmmaking. The author of Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson (Oxford University Press, 2009), Vital Crises in Italian Cinema: Iconography, Stylistics, Politics (University of Texas Press, 1995), and Modernist Montage: The Obscurity of Vision in Cinema and Literature (Columbia University Press, 1992), he has also edited several essay collections on filmography. Sitney was an important figure in the early years of New York University’s doctoral program in Cinema Studies, which was established in 1970. He was a founder of New York’s Anthology Film Archives and has served as a member of its Essential Cinema film selection committee.